13-16 giugno 2022: Immersed in the work. From the environment to virtual reality

AN-ICON - ERC Advanced Grant (2019-2024)
International conference, 13th - 16th June 2022
IMMERSED IN THE WORK
From the environment to virtual reality
Organised by the ERC project ‘AN-ICON’ in collaboration with Pirelli HangarBicocca
Where and when
13th June 2022, 6 PM-8 PM @ Pirelli HangarBicocca, via Chiese 2, Milan
14th-16th June 2022, 9.30 AM-6.30 PM @ Sala Napoleonica, University of Milan, via Sant’Antonio 12
Organising committee
Giovanna Amadasi, Giulia Avanza, Arianna Bertolo, Roberto Paolo Malaspina, Elisabetta Modena, Andrea Pinotti, Sofia Pirandello, Roberta Tenconi
Full programme
https://an-icon.unimi.it/calendars/immersed-in-the-work/
The ERC project AN-ICON "An-Iconology. History, Theory, and Practices of Environmental Images", in collaboration with Pirelli HangarBicocca, presents the international conference "Immersed in the Work. From the environment to virtual reality".
The conference is dedicated to the interactions between environmental images, immersive media and contemporary art practices.
The opening day on Monday 13th June, entitled Surfaces and Depths. Cinema and sculpture in the work of Giorgio Andreotta Calò and Rosa Barba will take place at Pirelli HangarBicocca. The two artists, who have in the past exhibited their works in these spaces, will talk on this occasion with scholars Giuliana Bruno and Riccardo Venturi.
The following three days, curated by Elisabetta Modena and Andrea Pinotti, will take place in the Sala Napoleonica of the State University of Milan and will feature national and international artists and figures from the fields of contemporary art history, aesthetics, critical theory, curatorship and media theory.
The guests who will speak are: Alessandra Acocella, Giovanna Amadasi, Giorgio Andreotta Calò, Lucia Aspesi, Mieke Bal, Cristina Baldacci, Rosa Barba, Giuliana Bruno, micha cárdenas, Cristina Casero, Lara Conte, Lucia Corrain, Alessandra Donati, Filippo Fimiani, Dario Gamboni, Roberto Pinto, Iolanda Ratti, Roberta Tenconi, Francesco Tedeschi, Vincenzo Trione, Annette Urban, Emilio Vavarella, Stefano Velotti, Riccardo Venturi, Giorgio Zanchetti.
The conference will also host the thematic section Dive In: Performance in Immersive Environments curated by Roberto Paolo Malaspina and Sofia Pirandello, which focuses on those artistic practices which, like performance, have addressed and raised questions about the relationship between body and space. The contributions for this section, which are divided between written papers and in-person presentations over the three days of the conference, were selected following a call for abstracts addressed to artists, curators and early career researchers. Among the selected guests: Valentina Bartalesi, Anthony Bekirov, S()fia Braga, Anna Calise, Edoardo de Cobelli, Margherita Fontana, Élise Jouhannet, Kenny Kim, Stefano Mudu, Julia Reich, Marion Roche, Thibaut Vaillancourt, Alice Volpi.
The AN-ICON project "An-Iconology. History, Theory, and Practices of Environmental Images" is coordinated by Andrea Pinotti at the State University of Milan and is dedicated to the environmentalisation of contemporary images through technologies such as Virtual or Augmented Reality.
Follow the event on FB at: https://fb.me/e/1Q4HwQMFv
Everyone interested is welcome to attend.
Program
June 13, 2022
18:00 18:15
Welcome address
18:15 20:00
Conversation between Rosa Barba (visual artist) and Giuliana Bruno (Harvard University) Conversation between Giorgio Andreotta Calò (visual artist) and Riccardo Venturi (art historian and critic)
Surfaces and depths. Cinema, sculpture and installation in the work of Giorgio Andreotta Calò and Rosa Barba
June 14, 2022
09:00 09:30
Welcome address
Andrea Pinotti
09:30 10:30
Mieke Bal
Con-temporary: Thinking and feeling together
10:30 11:30
Lara Conte, Università degli Studi Roma Tre
Germano Celant’s curatorial approach, between immersive experience and archive practice
11:30 12:00
Coffee break
12:00 13:00
Annette Urban, Ruhr-Universität Bochum
Mutual assimilations: Unstable relations between work and environment in VR art and exhibitions
13:00 14:00
Lunch break
Giancarlo Grossi
14:00 15:00
Dive In: Performance in immersive environments
14:00 15:00
S()fia Braga, visual artist
I Stalk Myself More than I Should: Online narratives to disrupt and investigate Interveillance and digital bodies politics within centralized social media platforms
Julia Reich, Ruhr-Universität Bochum
Encountering absent bodies: The artist's doubled and multiplied self in virtual performances
Elise Jouhannet, Université Paris III - Sorbonne Nouvelle
Techniques and poetics of the submarine in film: A pretext for an archeology of immersion
Elisabetta Modena
15:00 16:00
Cristina Baldacci, Università Ca’ Foscari Venezia
The exhibition as a ‘scripted space’: Rosa Barba’s and Philippe Parreno’s immersive installations
16:00 16:30
Coffee break
16:30 17:30
Giovanna Amadasi and Roberta Tenconi, Pirelli HangarBicocca
Constructing experiences: The exhibition as an immersive device at Pirelli HangarBicocca
17:30 18:30
Vincenzo Trione, Università IULM Milano
Between Euripides and Wagner: Rock concerts
June 15, 2022
Federica Cavaletti
09:30
Elisabetta Modena, University of Milan
Immersive stories in contemporary art
10:30
Francesco Tedeschi, Università Cattolica del Sacro Cuore di Milano
Dall’interno all’esterno (e viceversa) / From inside to outside (and vice versa)
11:30
Coffee Break
12:00
Giuliana Bruno, Harvard University
The environmentality of immersive projection: The nature of scale
13:00
Lunch break
Sofia Pirandello, University of Milan
14:00
Dive In: Performance in immersive environments
Emilio Vavarella, Harvard University
Other points of view: THE ITALIAN JOB n.3, Lazy Sunday
Valentina Bartalesi, Università IULM Milano
“Metafisica poetica”: un approccio sensoriale alla performance filmica nell’opera di Laure Prouvost / “Metafisica poetica”: A sensory approach to film performance in Laure Prouvost’s work
Stefano Mudu, Università IUAV di Venezia
Deep See Blue Surrounding You: un ambiente immersivo composto di oggetti / Deep See Blue Surrounding You: An immersive environment made of objects
Pietro Conte, University of Milan
15:00
Dario Gamboni, Université de Genève
Mobilis in mobili: The house museum as a selfimmersion device
16:00
Coffee Break
16:30
Lucia Corrain, Università di Bologna, Filippo Fimiani, Università degli Studi di Salerno and Stefano Velotti, Sapienza. Università di Roma
Roundtable - Ieri e oggi: limiti e promesse dell’esperienza immersiva / Yesterday and today: Limits and promises of the immersive experience
June 16, 2022
Anna Caterina Dalmasso, Università Statale di Milano
09:30 10:30
Giorgio Zanchetti, Università Statale di Milano
“Looking glass”. Qualche riflessione sulla trasparenza come dispositivo di presentazione e rappresentazione spaziale / “Looking glass”: Reflections on transparency as a device for the presentation and representation of space
10:30 11:30
Roberto Pinto, Università di Bologna
La storia e le storie attraverso le performance di Jeremy Deller / The history and the tales through the performances of Jeremy Deller
11:30 12:30
Coffee break
12:00 12:30
Micha Cárdenas, University of California Santa Cruz
Algorithmic performance from FLUXUS to Augmented Reality
13:00 14:00
Lunch break
Roberto Paolo Malaspina, Università Statale di Milano
14:00
Dive In: Performance in immersive environments
Anna Calise, Università IULM Milano
Inhabiting the museum: A history of physical presence from analog to digital exhibition spaces
Margherita Fontana Università IULM Milano
Digital heterotopias in the metaverse: The (g)Ender Gallery by Cat Heines
Alice Volpi, The Bartlett School of Architecture - UCL
...Or we will do without the theatre: Challenging the urban space, how to draft a new city map through performance
Barbara Grespi, University of Milan
15:00 16:00
Alessandra Acocella and Cristina Casero, Università degli Studi di Parma
Spazi di stimolazione percettiva. Il contributo dell’arte cinetico-programmata negli anni Sessanta / Spaces of perceptive stimulation: The contribution of kineticprogrammed art in the 1960s
16:00 16:30
Coffee Break
16:30 17:30
Lucia Aspesi, Pirelli HangarBicocca and Iolanda Ratti, Museo del Novecento di Milano
Marinella Pirelli. Alle origini dell’immersività / Marinella Pirelli: At the origins of immersiveness
17:30 18:30
Alessandra Donati, Università degli Studi di Milano Bicocca
Ambienti immersivi e tutela dell’intenzione dell’artista. Le utilità del diritto / Immersive environments and protection of the artist’s intention: The benefits of law
ERC Advanced Grant “AN-ICON. An-Iconology: History, Theory, and Practices of Environmental Images"
(GA n° 834033 AN-ICON).